Flamenco dance project unites music, art, poetry and story-telling

Poster Design by Pixels and Pulp, Paintings by Khosro Berahmandi.jpg

By Timothy Gillis

There are so many cultural things to do around town that one is never at a loss for an evening of dance, music, poetry, storytelling, or art. But even in these artistic environs, it’s unusual to find them all combined in one show.

“El Lobo y La Paloma” (The Wolf and The Dove) is a flamenco dance performance choreographed by Lindsey Bourassa that will be held Saturday, June 3, in South Portland.

“This work was inspired by the loss of my own father but also includes the universal experience of loss — that of losing a loved one, a homeland, a freedom, a right, an identity,” Bourassa said last week from her Forest Avenue studio, which she’s owned since 2014. “It’s about the reconstruction of our relationship with our lost being through the process of grief and healing.”

In addition to the original dance stylings of Bourassa and dancer Megan Keogh, it features Arabic singer Talal Alzefiri, oud player Thomas Kovacevic, and the paintings of Khosro Berahmandi, a Canadian-Iranian artist.

Videographer Ali Mann gives the live performance a visual backdrop, with images of the recurring wolf and dove symbols, and Molly Angie designed simple but symbolically colored dresses that move from dark to light. The Iraqi poet Kifah Abdulla translated original verses, odes to the dead written by Bourassa and her father, into Arabic.

This dazzling line-up of cultures and art forms is supported in part by a project grant from the Maine Arts Commission. It’s the liveliest of creative performances, but it has its origins in a difficult grieving process.

In 2015, Bourassa’s father, David, was dying of pulmonary fibrosis. She had recently returned from a year of studying flamenco dance in Spain, and able so spend some treasured time with him before he passed. She subsequently resolved to create an artistic response, a way out of her grief.

“I’ve always made work based on life experience, so that was the starting point,” she said. “During the time he was dying, I came to believe in the possibility of building a spiritual relationship with those who have passed … the choice of Arabic music to accompany the flamenco dance reflects one branch of flamenco’s ancestry, which guides the unfolding of this story.”

The story Bourassa created involves a wolf and a dove, symbols she kept encountering in the months leading to her father’s passing.

“My father named the wolf his spirit animal,” she explained. “In studying the meaning of animal symbolism in diverse traditions, I came to discover that wolves represent pathfinders … (and) that the dove is a symbol of the maternal spirit messenger who comes to lead her children safely from struggle.”

Later, when going through her father’s things, she discovered poems he had written when he lost his mother. Bourassa decided to write poetic responses to his odes, crafting the eventual narrative.

When it came to choreography, she had several options to choose from. In flamenco, there are many styles of dance—maybe 45 styles, according to Bourassa—each with its own melody or feeling. She selected seven different flamenco and Arabic styles. Kovacevic then created oud music for the seven paired-poems (Bourassa’s father and hers), and Alzefiri “sang in a way that went with the music,” she said.

music oudplayer

Providing the sonic textures and backdrop needed for Bourassa’s flamenco show are oud player Tom Kovacevic and Arabic singer Talal Alzefiri.

The project was a return to the past for Alzefiri, who is from Kuwait City and moved to Westbrook in 2010. He grew up with a family of singers—his father, Ebra, and five uncles—and experienced music as part of daily life. When he left Kuwait, that all changed.

“I stopped singing when I came here,” he said. “I was focused on finishing high school and was facing a hard time with my grandmother’s death. I turned away from singing. But when I first saw this flamenco dance and the style they do it, it reminded me a lot of my culture and brought me back to my childhood. That’s when I really started to go back to singing.”

Alzefiri has even more to sing about lately. Last year, he got his United States citizenship, after a five-year process.

“It’s wonderful to finally have a piece of paper in my hand. Now I can travel,” he said. “And that’s the most beautiful thing about this project: Lindsey is a very hard worker—how she was able to bring so many cultures together.”

Cultures combine, and the performance whirls in and out of genres. Behind the unfolding works of music and dance, two poems are simultaneously narrated. These verses are layered atop video imagery of the natural world that is interspersed with digitally projected paintings.

The production represents an end and a beginning for Bourassa. She completed her Certificate of Professionalization in Flamenco Arts in Spain in 2012 at El Centro de Arte y Flamenco de Sevilla. When she returned to Maine, she wanted to start something.

“There was no flamenco in Maine, and I wanted to create something based on these rhythms,”] is because this is the reasoning behind creating Olas – to create something reminiscent of flamenco, but with local artists of diverse genres. Olas lasted from 2008 to 2016. El Lobo y La Paloma is my own work, a Bourassa Dance production, and departs from Olas. It was made in collaboration with several artists, three of which were also members of Olas (Megan Keogh, Tom Kovacevic and Molly Angie). Talal, Khosro, and Kifah are all new collaborators to my work.

The flamenco community in Maine is still small, but it’s growing. I’m trying to teach as true to the art form as I can.”

“El Lobo y La Paloma,” performance by Lindsey Bourassa | Sat 7 pm | June 3 | South Portland High School Auditorium 637 Highland Ave., South Portland

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Portland Maine Gets Game

By Timothy Gillis

Soccer moms load their kids in minivans and encourage their dreams of going pro. Dads pace or squirm nervously on sidelines or in the stands. High school coaches steer their athletes towards playing sports in college or beyond, sometimes planting the idea when they are young yet ready to pay travel team fees. But all of these efforts are often in vain, as statistics show that very few traditional few athletes that play in high school continue onto college or pro.

The NCAA estimates that their players go to the next level anywhere from .9 percent (women’s basketball) to 9.1 percent (baseball) of the time.

Robert Wilson, a senior at Waynflete in Portland, is already a pro player, with a sponsor and an upcoming paid trip to Las Vegas to compete in an international competition of skill and endurance. Basketball? Nope. Football? No, he’s never played.

Instead, Wilson’s an eSports player.

Wilson’s among the growing number of millennials who take video games to a serious, professional level. He’s among those sharp enough to monetize what’s often considered a mindless hobby by competing for cash before graduating.

Wilson, or BobbyWasabi as he’s known in gaming circles, recently won a tourney at the HUD Gaming Lounge in Portland, pocketing $125 in three hours. He estimates he spent 500 hours playing Super Smash Bros. to get to that level, from its Nintendo inception in 1999 on N64 to the radically improved newest version on the Nintendo WiiU. Apart from the money, the win gained him notoriety with a sponsor, Super Nova, a company that mainly offers apparel, energy pills, and some gaming news.

“They help get my name out, I help get their name out,’ Wilson said. “I wear their jerseys, help advertise their merch and other teams under the Super Nova umbrella.”

Ben Baker has been gaming around town since 2012, and now runs tournaments in Waterville similar to HUD’s that bring gamers together to compete for moderate prizes. Baker was Super Nova’s first Smash player and helped get Wilson on board. They are doubles partners now, although Baker’s work schedule prevents him from the Vegas trip. He’s going to Florida in June for Community Effort Orlando, another national tournament.

“Back then I would’ve never thought gaming could be a career. It wasn’t until I got more involved in fighting games that it really clicked with me that it’s possible,” Baker said. “Before finding the Maine Fighting Gamers Alliance page on Facebook, I started getting really into Street Fighter IV. I has traveled to Calgary in 2011 for Canada Cup which was a major tournament. It really started to sink in with me that it could be a career.”

The company is flying Wilson to Las Vegas in July for a tourney called EVO 2017, where he will pit his Super Smash Bros. skills against the world’s best gamers. Competitors there will play on a WiiU or Nintendo GameCube decked out in game gear, sugared drinks, and junk food. Big winners will pocket thousands.

“The scene for Smash in the state has grown insanely since I joined, and even at a state level it really can be a worthwhile and profitable hobby,” Baker said. “The better players with the right mindset and passion can easily take it to the next step with all these national events and such popping up.”

Wilson plays as Pikachu (Pokémon) and Villager (Animal Crossing) and is considered the best in the state with these characters. Tournaments usually last anywhere between three to eight hours. Bigger tournaments like Shine and EVO span three days and attract hundreds of gamers from across the globe.

 

“The most unenjoyable aspect would have to be stress that comes with playing. If I’m ever in an intense match I sometimes start to shake or get nervous that I could get knocked out of the tournament,” he said. “It’s a blessing and a curse though, since I find that I often play better when stakes are high.”

While juggling final exams, he still gets in 30 minutes of practice daily, playing in training mode or online against gamers who challenge him on his Twitch livestream account. He does video game reviews on YouTube, and stays fresh with other games like Mario Kart 8 Deluxe and Persona 5.

“I’m working on a 100 percent completion of The Legend of Zelda: Breath of the Wild and looking forward to the release of Splatoon 2, ARMS, and Super Mario Odyssey,” he says. Wilson is just a high schooler but already making his first—albeit modest—paycheck doing what he loves.

High school sports are an essential part of the teen years, but parents and coaches who feed their children the line that their time invested in year of sports will pay them back with college scholarships or professional jobs are misleading, at best.

According to Forbes magazine, the gaming industry is continuing to grow, and as it does, more and more jobs will be available. “The economic impact of the gaming industry to the US GDP was over $11 billion in 2016 and that number is certain to grow for the foreseeable future,” according to the magazine. Still, while 27 million people play League of Legends each day, just 40 professionals earn salaried positions in the North American League. Today, players can also earn ad dollars when fans livestream their games on websites like Twitch and Azubu TV. But gamers say only a handful of players can earn enough to make a living.

Wilson wants to be one of those handfuls.

“My dad (Grant) told me ever since I could move my hands, I had a Gameboy in them,” Wilson said. “At age two, I was playing Super Mario Land and Alleyway, and since then I’ve been so drawn to video games. At three, I got a GameCube for Christmas and was

in line at age seven to get a Nintendo Wii with dad when it came out.”

Super Smash Bros Brawl was released two years later, and marked the first time he entered a tournament, at 13 years old, the PortCon 2012 tourney for SSB Brawl.

“I got knocked out immediately, but it was one of the first times I was exposed to a community of people who also play this game, other than my brothers (Ike and Trip) or friends from school.”

Next year, Wilson is headed to Emerson College, where he can add a scholastic approach to his gaming habits. Emerson has recently started a program for eSports gamers in the Communications Department. “It’s what partially attracted me there. I was also looking for journalism and communications,” he said. “After seeing what they are doing with the program there solidified my decision to go.”

He considered other schools — Champlain College in Burlington, Vermont, is known for its gaming design program and offers a competitive gaming community.

The takeaway of all this? There’s big money out there for dedicated gamers, or big fans of the industry and its creative mechanisms. But on top of that, there are job opportunities for those looking to host gaming events like these. Production, organization, planning, coverage, commentary are also possible vocations.

“A lot of people go into game development. The gaming industry is worth more than $70 billion a year, and there aren’t huge CEOs to pay that are taking most of it as a lot of those sales are in indie games and small studios,” said Gabe Letourneau, founder of HUD gaming lounge, which opened in Biddeford and made the move north to Portland last year. VR and AR (augmented reality) are also growing fields and will require new creative minds to learn to program and code games and experiences for them and is sure to become a lucrative skillset in the coming years.”

More eSport events would open the door to a new ripple to economies both local and national. eSports has found its home on Twitch.tv, a website dedicated to livestreams of players playing games either by themselves or online with viewers. eSport events are often broadcast on this site, though some major events like League of Legends, Dota 2, and Hearthstone tournaments can sometimes be found on legacy media like ESPN.

The biggest games in eSports now are League of Legends, Dota 2, CS:GO, and Hearthstone. The biggest fighting games in eSports are Super Smash Bros. (1999), Super Smash Bros Melee (2001), Super Smash Bros Brawl (2008), Super Smash Bros. (2014), as well as Street Fighter, Guilty Gear, and Mortal Kombat.

In Maine, gamers can play publicly, and competitively. A group of 20 to 50 people come together at one venue to compete in tourney or just play against each other. Most venues charge between $5 to $10, while some tourneys are free. For the prize level, pay an extra $5 and the top three winners grab some cash.

eGames in Maine history

The eWorld was created, virtually, by Maine Competitive Gaming founders Marc Patenaude, Jordan Lovell, and Jordan Sage, whom Wilson calls “trailblazers for the gaming community in Maine.”

Late last year, the guys host tournaments at Howard Johnson’s in South Portland and the Maine Mall, both in collaboration with PortCon. They host doubles tournaments every other week at Arcadia National Bar, which offers Portland-area patrons arcade, console, pinball, and board games. MCG currently runs Rocket League and CSGO tournaments at HUD Gaming Lounge, and will be running a Super Smash Bros. Event called “MCG Arena” in June.

Some of the best players in Maine can rest easy with the money they win. The average prize pool for a monthly event can yield first placers $200. The tourneys SMCC holds every Thursday do not charge and players cannot. Monthlies are posted Saturday night events with slightly higher stakes, turnout, and prizes.

Wilson is starting Timber Weeklies at Amigo’s on Mondays, and future Timber Monthlies will be held at HoJo’s in SoPo, with one planned for this Saturday, May 13.

“’Timber’” comes from a name of a move that the character “Villager” does,” Wilson explained. “She or he plants a tree, grows it and then cuts it down with an axe.”

Wilson stands to cash in on his passion this summer. The prize pool last year was between $26,000 and $100,000, depending on the games.

“I don’t know what the prize is for EVO 2017,” Wilson said. “It all depends on the turnout of the event, but the numbers have been growing every year.”

He noted that the sport, though, is not evenly represented.

“It’s a very male-dominated profession. This is in part due to a lot of community’s sexism and discrimination towards female players and enthusiasts,” Wilson says. “A lot of this plays into both the anonymity aspect of players online, as well as a long running stereotype that girls aren’t that into ‘real video games.’ That being said, the field is completely open, especially when you consider how sports are separated by men’s leagues and women’s leagues due to biological physicality. With eSports, that factor doesn’t play a part when competing at a high level. Endurance, strong mentality, and overall skill at the game are all that matter.”

My girlfriend doesn’t play video games often, yet has a blast while playing as ‘Kirby,’ an adorable ball of pink puff who was designed to be very accessible to more novice players. The brilliance is that accessibility in Smash Bros. does not equate to hand-holding or a crutch to stand on, and that’s where the true social aspect of Super Smash Bros. shines.”

Local eGaming merchants have seen business boom and stay open all hours to meet client needs.

“We have seen a few players in our tournaments who could go pro — very talented gamers who blow us away whenever we see them compete,” says Letourneau. “Based on our live streams, comments, and likes on our Facebook page, there are clear favorites who have tons of people rooting for them to win, by commenting and interacting with our tournaments even if they aren’t playing.”

And business can be good for the gamers, too.

“Just as players of football, or baseball, or basketball, etc. who are really good become professional players, people who are really good at games follow a similar path,” he says. “Just as the pro traditional sports teams make money from sponsors and spectators, eSports are exactly the same, except the sponsors aren’t for cars or life insurance. It’s for gaming gear, computer equipment, and Doritos.”